By Katherine Orrison
From idea degree via construction in Egypt to unencumber of the movie: Katherine Orrison rigorously recreates the behind-the-scenes tale of Cecil B. DeMille's liked epic.
Read or Download Written in Stone: Making Cecil B. DeMille's Epic The Ten Commandments PDF
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Additional resources for Written in Stone: Making Cecil B. DeMille's Epic The Ten Commandments
I don't make tape recordings simply because many folks posing as writers promote their tapes after interviews to the top bidder, thereby profiting on their topic in yet one more approach. I selected to put in writing all interview chapters within the first individual to seize the subject’s character and make it as relaxing and obtainable for the reader as attainable. the numerous years I spent with the folks who labored at the Ten Commandments have been lucrative and enlightening in a myriad of intangible methods. i'm hoping the reader reveals this in order good. 1 Pharaoh’s affiliate manufacturer Henry Wilcoxon My father frequently quoted a asserting from the Comedie Français: “A winning actress needs to be greater than a girl; and a winning actor below a guy. ” Then he’d upload that Harry Wilcoxon was once the single actor he’d ever identified that it didn’t practice to. —Katherine DeMille to the writer, 1984 Actor/producer Henry Wilcoxon (1905–84) seemed in additional than seventy films, either in nice Britain and the U.S., together with The final of the Mohicans, The Corsican Brothers, woman Hamilton, Mrs. Miniver, A Connecticut Yankee in King Arthur’s court docket, Scaramouche, The battle Lord, guy within the desert, F. I. S. T. , and one-hundred-fifty performs within the Birmingham Repertory corporation and London’s West finish. but, it’s the six videos directed by means of Cecil B. DeMille for which he's most sensible remembered. at the first three—Cleopatra (1934), The Crusades (1935), and, after an eleven-year absence, Unconquered (1946)—Wilcoxon labored purely as an actor; yet within the final three—Samson and Delilah (1949), the best express in the world (1952), and the 10 Commandments (1956)—Wilcoxon used to be either at the back of the digicam as affiliate manufacturer and in entrance inside aiding roles. I first met Henry Wilcoxon in 1981 on his seventy-sixth birthday at a l. a. County Museum of paintings exhibiting of the 10 Commandments. “My blood is on each body of this film,” he instructed me then, his blue eyes staring me down, his grave phrases resonating in the course of the hallway. It was once an auspicious assembly that resulted in a two-year collaboration with Wilcoxon at the biography known as Lionheart in Hollywood. We committed greater than 3 chapters of that ebook to Wilcoxon’s memories of engaged on the 10 Commandments. the following, in those pages i've got attempted to distill the essence of Wilcoxori’s phrases and studies and to take advantage of the cloth that almost all heavily enhances different models of the 10 Commandments tale instructed by way of folks in later chapters. probably, I’ve stumbled on Henry Wilcoxon’s reminiscence to be astonishingly actual. furthermore, he had saved newspapers, magazines, images, diaries, scrapbooks, scripts, and casting journals, which we used to make sure instances, dates, locations, and names. He differs from Paramount group information in basic terms two times: he acknowledged that cameraman Pev Marley was once in Egypt in addition to in Hollywood whereas engaged on the image (Marley could have been, both becoming a member of the most corporation past due or leaving early, hence lacking being indexed on invoice Sapp’s workforce sheet), and he acknowledged Eddie Salven functioned as assistant director to the second one unit in Luxor after the most corporation had long gone again to the States.