The truth of transnational innovation and dissemination of recent applied sciences, together with electronic media, has but to make a dent within the deep-seated culturalism that insists on reinscribing a divide among the West and Japan. The Oxford instruction manual of jap Cinema goals to counter this development towards dichotomizing the West and Japan and to problem the pervasive culturalism of brand new movie and media studies.
Featuring twenty essays, each one authored through a number one researcher within the box, this quantity addresses efficient debates approximately the place jap cinema is and the place jap cinema goes on the interval of trouble of nationwide boundary lower than globalization. It reevaluates the placement of jap cinema in the self-discipline of cinema and media reports and past, and situates jap cinema in the broader fields of transnational movie background. Likewise, it examines the materiality of jap cinema, scrutinizes cinema's courting to different media, and identifies the explicit practices of movie construction and reception. As an entire, the quantity fosters a discussion among eastern students of eastern cinema, movie students of eastern cinema dependent in Anglo-American and ecu international locations, movie students of non-Japanese cinema, movie archivists, movie critics, and filmmakers acquainted with movie scholarship.
A finished quantity that grasps jap cinema less than the rubric of the worldwide and likewise fills the space among eastern and non-Japanese movie reports and among theories and practices, The Oxford instruction manual of jap Cinema demanding situations and responds to the foremost advancements underfoot during this quickly altering field.
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Extra resources for The Oxford Handbook of Japanese Cinema (Oxford Handbooks)
Contains bibliographical references and index. ISBN 978–0–19–973166–4 1. movement pictures—Japan. 2. movie industry—Japan. three. Japan—In movies. I. Miyao, Daisuke, editor of compilation. PN1993. five. J3O97 2013 791. 430952—dc23 2013010511 1 three five 7 nine eight 6 four 2 published within the u . s . on acid-free paper 00_Miyao_FM. indd iv 6/1/2007 8:24:48 AM Contents record of participants creation Daisuke Miyao ix 1 PA RT I W HAT I S JA PA N E SE C I N E M A S T U DI E S ? : JA PA N E SE C I N E M A A N D C I N E M A ST U DI E S 1. jap movie with no Japan: Toward a Nondisciplined movie reviews Eric Cazdyn 2. Triangulating jap movie variety Ben Singer thirteen 33 three. severe Reception: Historical Conceptions of eastern movie feedback Aaron Gerow sixty one four. growing the Audience: Cinema as renowned game and Social schooling in smooth Japan Hideaki Fujiki seventy nine PA RT I I W HAT I S JA PA N E SE C I N E M A ? : JA PA N E SE C I N E M A A N D T H E T R A N SNAT IONA L N E T WOR ok five. variation as “Transcultural Mimesis” in eastern Cinema Michael Raine 00_Miyao_FM. indd v one hundred and one 6/1/2007 8:24:48 AM vi contents 6. the sting of Montage: A Case of Modernism/Modanizumu in eastern Cinema Chika Kinoshita 124 7. Nationalizing Madame Butterfly: The Formation of woman Stars in jap Cinema Daisuke Miyao 152 eight. appearing Colonial Identity: Byeonsa, Colonial movie Spectatorship, and the Formation of nationwide Cinema in Korea lower than eastern Colonial Rule 172 Dong Hoon Kim nine. Outpost of Hybridity: Paramount’s crusade in Japan, 1952–1962 Hiroshi Kitamura 10. Erasing China in Japan’s “Hong Kong movies” Kwai-Cheung Lo 188 209 eleven. The Emergence of the Asian movie Festival: Cold battle Asia and Japan’s Reentrance to the nearby movie within the Nineteen Fifties 226 Sangjoon Lee 12. Yamagata–Asia–Europe: The overseas movie competition brief Circuit Abé Mark Nornes 245 PA RT I I I W HAT JA PA N E SE C I N E M A I S ! : JA PA N E SE C I N E M A A N D T H E I N T E R M E DIA L P R AC T IC E S thirteen. Nitrate movie creation in Japan: A old historical past of the Early Days Hidenori Okada (Translated by means of Ayako Saito and Daisuke Miyao) 14. Sketches of Silent movie Sound in Japan: Theatrical capabilities of Ballyhoo, Orchestras and Kabuki Ensembles Shuhei Hosokawa 00_Miyao_FM. indd vi 265 288 6/1/2007 8:24:48 AM contents vii 15. The Jidaigeki Film: Twilight Samurai—A Salaryman–Producer’s Point of View Ichiro Yamamoto (Translated by means of Diane Wei Lewis) 306 sixteen. profession and Memory: The illustration of Woman's physique in Postwar jap Cinema Ayako Saito 327 17. examining Nishijin (1961) as Cinematic reminiscence Mitsuyo Wada-Marciano 363 18. by means of different Hands: Environment and equipment in Sixties Intermedia Miryam Sas 383 19. Viral Contagion within the Ringu Intertext Carlos Rojas 416 20. Media combine and the Metaphoric financial system of global Alexander Zahlten 438 Index 457 00_Miyao_FM. indd vii 6/1/2007 8:24:48 AM 00_Miyao_FM. indd viii 6/1/2007 8:24:48 AM List of individuals Eric Cazdyn is professor of cultural and significant thought on the collage of Toronto.